Taxidermy

Taxidermy is the preserving of an animal's body via mounting (over an armature) or stuffing, for the purpose of display or study. Animals are often, but not always, portrayed in a lifelike state. The word taxidermy describes the process of preserving the animal, but the word is also used to describe the end product, which are called taxidermy mounts or referred to simply as 'taxidermy'.1. Measurements are collected2. Animal is Skinned. Notes on internal organs are recorded3. Skin is stuffed with cotton4. Completed study skin is labeled with a data tag Taxidermy is the preserving of an animal's body via mounting (over an armature) or stuffing, for the purpose of display or study. Animals are often, but not always, portrayed in a lifelike state. The word taxidermy describes the process of preserving the animal, but the word is also used to describe the end product, which are called taxidermy mounts or referred to simply as 'taxidermy'. The word taxidermy is derived from the Greek words taxis and derma. Taxis means 'arrangement', and derma means 'skin' (the dermis). The word taxidermy translates to 'arrangement of skin'. Taxidermy is practiced primarily on vertebrates (mammals, birds, fish, reptiles, and less commonly on amphibians) but can also be done to larger insects and arachnids under some circumstances. Taxidermy takes on a number of forms and purposes including hunting trophies and natural history museum displays. Museums use taxidermy as a method to record species, including those that are extinct and threatened, in the form of study skins and life-size mounts. Taxidermy is sometimes also used as a means to memorialize pets. A person who practices taxidermy is called a taxidermist. They may practice professionally, catering to museums and sportsman (hunters and fishermen), or as amateurs (hobbyists). A taxidermist is aided by familiarity with anatomy, sculpture, painting, and tanning. Preserving animal skins has been practiced for a long time. Embalmed animals have been found with Egyptian mummies.Although embalming incorporates the use of lifelike poses, it is not considered taxidermy. In the Middle Ages, crude examples of taxidermy were displayed by astrologers and apothecaries. The earliest methods of preservation of birds for natural history cabinets were published in 1748 by Reaumur in France. Techniques for mounting were described in 1752 by M. B. Stollas. There were several pioneers of taxidermy in France, Germany, Denmark and England around this time. For a while, clay was used to shape some of the soft parts, but this made specimens heavy. By the 19th century, almost every town had a tannery business. In the 19th century, hunters began bringing their trophies to upholstery shops, where the upholsterers would actually sew up the animal skins and stuff them with rags and cotton. The term 'stuffing' or a 'stuffed animal' evolved from this crude form of taxidermy. Professional taxidermists prefer the term 'mounting' to 'stuffing'. More sophisticated cotton-wrapped wire bodies supporting sewn-on cured skins soon followed. In France, Louis Dufresne, taxidermist at the Muséum national d'Histoire naturelle from 1793, popularized arsenical soap in an article in Nouveau dictionnaire d'histoire naturelle (1803–1804). This technique enabled the museum to build the greatest collection of birds in the world. Dufresne's methods spread to England in the early 19th century, where updated and non-toxic methods of preservation were developed by some of the leading naturalists of the day, including Rowland Ward and Montague Brown. Ward established one of the earliest taxidermy firms, Rowland Ward Ltd. of Piccadilly. However, the art of taxidermy remained relatively undeveloped, and the specimens that were created remained stiff and unconvincing. The golden age of taxidermy was during the Victorian era, when mounted animals became a popular part of interior design and decor. English ornithologist John Hancock is considered to be the father of modern taxidermy. An avid collector of birds, which he would shoot himself, he began modelling them with clay and casting in plaster. For the Great Exhibition of 1851 in London, he mounted a series of stuffed birds as an exhibit. They generated much interest among the public and scientists alike who considered them as superior to earlier models and were regarded as the first lifelike and artistic specimens on display. A judge remarked that Hancock's exhibit '... will go far towards raising the art of taxidermy to a level with other arts which have hitherto held higher pretensions'.