Estranhamentos, espaços vazios e memórias -

Relations between modes of production space of artist Rachel Whiteread and filmmaker Alain Resnais. Large parts made of space between things in the world of the artist have referred me to the movie The Last Year at Marienbad by Alain Resnais with its large memory spaces and filmic architectures. It is established in this article a relationship between those spaces. The issues that permeate the text ranging from migratory transit, travel, personal narratives, memories and are of my interest in artistic research. Therefore, I will relate the space worked by artist and filmmaker.