Acompartive Analysis and study of factors of fiction in three novels, Zarhaye zani be name beirut, zakhmdar and Zangha baraye ke be seda dar miayand

At this thesis that Tuninged in four part, general research , theoretical research, discuss and analysis and research elements of story are investigated in three resistance novels of ‘Zarhaye Zani Be Name Beirut (Desolate of women's who named Beirut),’ ‘Zakhmdar (Damaged)’ and ‘Zangha Baraye Ke Be Seda Darmiayand? (Bells ring for who?)’ comparatively and through descriptive-analytical and using library resources. Plan of ‘Zarhaye Zani Be Name Beirut’ is complex and author mostly has dealt with thought dimension of characters through internal monology technique. But plan of ‘Zakhmdar’ is very simple and Shahi retells minds of main character through first person narrator and characters of his novel are often tangible. On the contrary, Hemingway Pireng has developed pack of novel in traditional form and by creating different kinds of characters, has investigated them through omniscient narrator in terms of appearance and moral characteristics. Common subject of the three novels is war and its different damages and along with common contents such as fear, betray, homeland and love, also different contents are reflected; for example, Eshikh has dealt with crisis of personal identity, mother tongue and migration; Khosroshahi role of leadership and damages of war; and Hemingway rape, freedom and attack with fascism. Element of speech has often been employed in ‘Zangha Baraye Ke Be Seda Darmiayand?’ and in two other novels some short and everyday sentences have been used. Also, there was a reality-like element in all the three novels at peak and spacing was proportionate with social and cultural conditions of creation of works. Reader is faced with two objective and subjective times in ‘Zarhaye Zani Be Name Beirut (Secrets of a Women Called Beirut),’ ‘Zakhmdar (Damaged)’ and in ‘Zangha Baraye Ke Be Seda Darmiayand? (For Who Bells Ring?)’ with a supportive time.