Making a Whore of Freedom: Büchner's Marion Episode

ABSTRACT No moment in Georg Buchner's drama has been assigned more significance as a marker of his radical modernity than the “Marion episode.” Apparently unprecedented in form and content, this brief, enigmatic exchange between a prostitute and the protagonist of Dantons Tod [Danton's Death] is taken as the archetype of Buchner's jagged, proto-montage aesthetic, as the first example of his proto-psychological focus on the close rendering of sensation, and as the foundational statement of what is taken to be his proto-nihilist repudiation of history. This essay suggests that such impressions are mistaken. It reveals the Marion episode to be a tightly constructed allegory of French Revolutionary history, and one that takes as its precedent and pretence the most widely known work of pre-Revolutionary pornography in Europe, the once-forbidden Therese philosophe [Therese the Philosopher]. Linking the pornographic to the political, mirroring each in the other, the Marion episode, it suggests, does not use erot...