Plath Profiles volume 9
2017
POETRY 03 In the Slivered Hospital Jennifer MacBain-Stephens 04 Self-Portrait as Hydrangea Shevaun Brannigan 05 The Beeswax Candle Janna Erickson 06 Sumption: Sivvy’s Food Crystal Hope Hurdle 08 Blue Water Natalie Crick 09 Night Natalie Crick ARTICLES 18 Esther’s Uncanny Doubles: The “big, smudgy-eyed Chinese woman” and the “bleached-blonde Negress” in The Bell Jar Hiromi Yoshida 23 “Paula’s snowsuit was smeared wet and black with oil”: Sylvia Plath on Children’s Capacity for Love and War’s Influence of Hate Julie Ooms 31 Mud Plus Struck Equals Muck: Filth andViolence in the Works of Sylvia Plath Julia McCord Chavez, Robert C. Hauhart 34 Shrunken Heads: Reading Plath Reading Eliot Sara Fetherolf 40 ‘Unintelligible syllables’: Noise in the poetry of Sylvia Plath Christine Walde STUDENT WORK 68 “Every Woman’s a Whore”: Misogyny and Hypocrisy in Sylvia Plath’s Oeuvre Mercy D. Sherman 68 A World Without Men: Matriarchal Landscapes in Sylvia Plath’s “Stings,” “Wintering,” “Purdah,” and “Letter in November” Constance Chan 68 Identity in The Bell Jar and The Perks of Being aWallflower: A Comparison Taylor McGonigle 68 The significance of metaphor in ‘Daddy’ Elise Stanford 68 Exploring identity in The Bell Jar and The Catcher in the Rye Jess Ardley ART 55 Poems, Suitcases Kristina Zimbakova
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