Visual genders, visual histories : a special issue of gender & history

Introduction: Visual Genders: Patricia Hayes. Part I: Documenting. Does Gender Matter? Filmic Representations of the Liberated Nazi Concentration Camps, 1945-46: Ulrike Weckel. Images of Poor but Virtuous Women: Morality, Gender and Power in Argentina between the World Wars: Maria Fernanda Lorenzo, Ana Lia Rey and Cecilia Tossounian. The General View and Beyond: From Slum-yard to Township in Ellen Hellman's Photographs of Women and the African Familial: Marijke Du Toit. Racialising the Virile Body: Eadweard Muybridge's Locomotion Studies, 1883-1887: Elspeth H. Brown. Part II: Trafficking. History, Memory and Trauma in Photography of the 'Tondues': Visuality of the Vichy Past through the Silent Image of Women: Alison M. Moore. A Glance into the Camera: Gendered Visions of Historical Photographs in Kaoko (North-Western Namibia): Lorena Rizzo. Decoration and Desire in the Watts Chapel, Compton: Narratives of Gender, Class and Colonialism: Elaine Cheasley Paterson. Part III: Experimenting. Faces and Bodies: Gendered Modernity and Fashion Photography in Tehran: Alec H. Balasescu. Arne Svenson's Queer Taxonomy: Elizabeth Birdsall. The Temperance Temple and Architectural Representation in Late Nineteenth Century Chicago: Paula Young Lee. There's Something about Mary Wigman: The Woman Dancer as Subject in German Expressionist Art: Susan Laikin Funkenstein. Notes on Contributors