梅清（1623-1697）的生平與藝術

Tracing back the painting of the seventeenth century China, the relationships between Xuan-Cheng artist – Mei Qing with Xin-An mode, Mt. Huang Pictures, I-min painters and Shih-Tao are complicated; hence by studying the life and art works of Mei Qing will enhance understanding of the art history of early Ching Dynasty. Practically, the study of intrinsic nature of Mei Qing works remains obscure and unclear due to plenty of forgeries; thereupon, it is difficult to clearly define interrelation between his art style change and culture environment in further stage, it is also hard to clarify several topics which are related to Mei Qing in the art history. Besides, it is still questionable if following known perspectives to present and analyze works of Mei Qing is the only way. Is there unnoticed origin of drawing style which can lead us to a new and profound study of Mei Qing works? In this research, beside study on painter’s background, development of styles and the forgeries of his works, a new direction to analyze Mei Qing has been expected to present in this research.