Razing Their Voices: Carmen de Burgos's

Up until the last twenty-five years, modern critics of Hispanic literature had largely ignored Spanish women's writing of the early twentieth century. As Maryellen Bieder points out in her article "Woman and the Twentieth-Century Spanish Literary Canon: The Lady Vanishes," the bulk of modern criticism of Spanish women writers' work jumps from the fin de siecle writing of Emilia Pardo Bazan (remembered principally for the elements of naturalismo found in her 1886 work Los Pazos de